Wednesday, January 20, 2021

Plague In An Ancient City (Painting)

 


  • Artist: Michael Sweerts (1618-1664 CE)

  • Title: Plague in an Ancient City (c. 1652-1654 CE.)

  • Medium/Size: Oil on canvas. 46 3/4 × 67 1/4 in. (118.75 × 170.8 cm)


Flemish painter Michael Sweerts was an active artist in Rome, instead of in his native country of Flanders (Belgium). He garnered fame for both his genre scenes and portraits. However, no one could have foreseen or anticipated the power and grandeur of his greatest work, Plague in an Ancient City. Sweerts completed his work shortly after an epidemic swept through Rome in 1648, known as the Plague of Cyprian. Art critics are in dispute over whether or not the painting represents that epidemic, or just the devastating effects of plagues in general.


No one can argue that the ravages of the plague are apparent in the painting’s foreground. At the same time, it could be argued, that this painting could be more of a reflection on the social, cultural, and religious beliefs of the time (i.e. the priest in the shrine holding a lantern). Upon closer inspection, a figure in the darkened background illustrates a priest making a gesture which mirrors that of the man in the center of painting. The priest, inside of a shrine, holds a light for those surrounding him. In addition, it could be assumed that the painting may be a reflection of Sweerts' own crisis of faith at the time he painted it. 


Sweerts' use of dramatic lighting, in the way of cool colors and transparent glazes, further emphasizes the horrendous devastation brought about by plagues and epidemics. There is an amazing contrast between light and dark in his work, which adds to its overall effect.


Shortly after completing the painting, Sweerts left on a journey to the East, eventually dying in 1664 in Goa, India, in what had been speculated to be a "mysterious death". 


Source

    Tuesday, January 19, 2021

    Today In History, January 19

     


    Historic Salisbury Cathedral Used As A Vaccine Hub for Covid-19

    The centuries-old cathedral has been turned into a vaccination hub by the NHS for the purpose of getting as many eligible people vaccinated as possible in the shortest amount of time. With numbers rising, creativity has to be utilised in order to get as many people vaccinated in short order.


    Built in 1220 and completed in 1258, Salisbury Cathedral is an English icon of Gothic architecture. Its "official name" is Cathedral Church of the Blessed Virgin Mary. While it is Anglican in denomination, the cathedral had started out as a Roman Catholic church. It was only after the Reformation in the 16th century that it had converted to Anglican. During the separation of the English church from Rome under Henry VIII, new ways of Protestant thinking led to dramatic changes throughout England. Common Catholic rituals such as the Cult of the Saints, praying for the dead and the elaborate Medieval patterns of worship, were all abolished.


    In its current state, local GP's converted the transept of the cathedral into a pop-up vaccination clinic, while those most vulnerable to Covid-19 queued in the cloisters for their turn to be vaccinated. The cathedral was filled with live classical music; a mix of Bach, Handel and Pachelbel, in order to create a soothing atmosphere. In addition, those in attendance were assured that they were being constantly prayed for by the clergy and members of the cathedral community.


    Screens have been put into place in order to keep people socially distant, as well as giving the medical staff and patients a modicum of privacy as they readied to receive their jab.